dc.contributor.author | Ross, Stephen![]() |
|
dc.date.accessioned | 2009-08-11T21:02:29Z | |
dc.date.available | 2009-08-11T21:02:29Z | |
dc.date.copyright | 2009 | en |
dc.date.issued | 2009-08-11T21:02:29Z | |
dc.identifier.uri | http://hdl.handle.net/1828/1491 | |
dc.description.abstract | Wyndham Lewis and Ezra Pound’s relation to other modernists and subsequently, to modernist scholarship are contrasted. Lewis’s self-positioning as “the Enemy” had ramifications for his later acceptance into the modernist canon. The paper suggests a re-evaluation of the work of Lewis as an important and perhaps unfairly neglected central figure of modernism. | en |
dc.language.iso | en | en |
dc.subject | Lewis, Wyndham, 1882-1957 | en |
dc.subject | Pound, Ezra, 1885-1972 | en |
dc.subject | modernism | en |
dc.title | Wyndham Lewis and literary modernist studies | en |
dc.type | Article | en |