Lewis, Goldwyn2009-12-162009-12-1620062009-12-16http://hdl.handle.net/1828/1990This thesis explores how photography has been used in the governing of subjectivities and draws on the following three forms of governmentality identified by Michel Foucault: biopower, discipline and ethics. In photography's early history discourses on character and insanity privileged visual observation and the camera was used as a more precise extension of the clinician's eye. With the emergence of Freud's "talking cure" the use of still-photography in treatment and diagnosis was generally neglected until the 1970s when the medium was re-configured as an ideal technique for accessing the unconscious. Currently Phototherapy clients, with the aid of a therapist, use personal photos in order to identify and modify problematic aspects of self. I draw on Michel Foucault's second and third period work in order to investigate these shifting relationships of photography to subjectivity.enAvailable to the World Wide Webphotography in psychotherapyMichel FoucaultUVic Subject Index::Humanities and Social Sciences::SociologyThesis