Ross, Stephen2009-08-112009-08-1120092009-08-11http://hdl.handle.net/1828/1491Wyndham Lewis and Ezra Pound’s relation to other modernists and subsequently, to modernist scholarship are contrasted. Lewis’s self-positioning as “the Enemy” had ramifications for his later acceptance into the modernist canon. The paper suggests a re-evaluation of the work of Lewis as an important and perhaps unfairly neglected central figure of modernism.enLewis, Wyndham, 1882-1957Pound, Ezra, 1885-1972modernismArticle