Beauty on the job: visual representation, bodies, and Canada's women war workers, 1939-1945

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dc.contributor.author Van Vugt, Sarah
dc.date.accessioned 2016-09-14T14:53:44Z
dc.date.copyright 2016 en_US
dc.date.issued 2016-09-14
dc.identifier.uri http://hdl.handle.net/1828/7547
dc.description.abstract This dissertation analyzes visual representations of Canadian women war workers during the Second World War, examining the intersections of labour, gender, beauty culture, bodies, media, consumer culture, advertising, class, whiteness, and sexuality featured in these images. It argues that without considering each of these themes, it is impossible to fully understand wartime representations of women workers. In examining these intersections, the dissertation highlights the power of visual representations and demonstrates the key roles of beauty culture and heterosexuality in munitions plants. By comparing images of women war workers in nationally-circulated magazines and advertisements, locally-produced newsletters from three southern Ontario war plants, archival photos, and newspaper coverage of the Miss War Worker beauty contest, this study shows that the beautiful woman war worker was a visual icon who symbolized the tensions, worries, and hopes around labour, beauty, and femininity, in wartime as well as in the postwar period, when war workers’ presumed next step into white motherhood was of particular importance to the national project. Women workers were constantly encouraged and pressured to engage with beauty culture and participate in self-fashioning. Probing the relationship between how war workers were depicted and what they experienced points to the power of images as well as the opportunities women had to exercise agency by pushing back against visual ideals as well as by emulating them. en_US
dc.language English eng
dc.language.iso en en_US
dc.rights Available to the World Wide Web en_US
dc.subject Canada en_US
dc.subject war workers en_US
dc.subject beauty culture en_US
dc.subject gender en_US
dc.subject labour en_US
dc.subject heterosexuality en_US
dc.subject women en_US
dc.subject visual culture en_US
dc.subject Second World War en_US
dc.title Beauty on the job: visual representation, bodies, and Canada's women war workers, 1939-1945 en_US
dc.type Thesis en_US
dc.contributor.supervisor Marks, Lynne Sorrel
dc.degree.department Department of History en_US
dc.degree.level Doctor of Philosophy Ph.D. en_US
dc.description.scholarlevel Graduate en_US

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