UVic logo
  • English
  • Català
  • Čeština
  • Deutsch
  • Español
  • Français
  • Gàidhlig
  • Italiano
  • Latviešu
  • Magyar
  • Nederlands
  • Polski
  • Português
  • Português do Brasil
  • Suomi
  • Svenska
  • Türkçe
  • Tiếng Việt
  • Қазақ
  • বাংলা
  • हिंदी
  • Ελληνικά
  • Yкраї́нська
  • Log In
    New user? Click here to register. Have you forgotten your password?
UVic logo
    About
    • Policies
    • License
    • Guidelines
    • FAQs
    • Contact Us
    Browse
    • Communities & Collections
    • Author
    • Title
    • Supervisor
    • Date
    • Department
    • Subject
  • English
  • Català
  • Čeština
  • Deutsch
  • Español
  • Français
  • Gàidhlig
  • Italiano
  • Latviešu
  • Magyar
  • Nederlands
  • Polski
  • Português
  • Português do Brasil
  • Suomi
  • Svenska
  • Türkçe
  • Tiếng Việt
  • Қазақ
  • বাংলা
  • हिंदी
  • Ελληνικά
  • Yкраї́нська
  • Log In
    New user? Click here to register. Have you forgotten your password?
  1. Home
  2. Supervisor

Browsing by Supervisor "Adam, Martin T."

Now showing 1 - 3 of 3
Results Per Page
Sort Options
  • Loading...
    Thumbnail Image
    Item
    Experiencing by Interacting: A Study on Mediated Experience in Digital Interactive Arts
    (2013-08-29) Wang, Yifan; Gibson, Steve; Adam, Martin T.
    This study focuses on the manifestation of mediated experiences in digital media environments in the visual arts, conducted by human-computer interactive technologies such as virtual reality and augmented reality, in order to construct a framework for understanding experience through diverse artistic experiments. My inquiry is constructed through analysis of the connections, indications and reflections of mediated experience in various interactive virtual environments, and discusses the profound and related connections among media, technology and experience in the context of digital interactive arts. Further, a number of representative artworks, particularly in the territory of digital interactive arts, are examined in order to map the concept of mediated experience. The study of the philosophical, social and cultural roots of experience is at the center of this project. This research can be considered a trial that brings theoretic discourse into art practices, and vice versa. By situating the discussion through case studies of artworks, readers are better able to read abstract concepts in actual artistic practices and develop a deeper understanding of the topic. These considerations, from a broader point of view, pave the road for the future manipulation and application of interactive digital media in public visual art. Digital interactive art as a complex of technology and conceptual exploration is an ideal vehicle for embarking on the research into the instinctive and emotional feelings generated by human-computer interactive experiences.
  • Loading...
    Thumbnail Image
    Item
    Krishnamurti and the dance of dialogue: instigating insight in higher education
    (2019-08-01) Flexer, Jerry; Adam, Martin T.
    This study examines the dialogic approach of the Indian-born educational philosopher Jiddu Krishnamurti (1895 – 1986), who had developed his own unique approach to dialogue with small groups. The research considered two questions. First, whether Krishnamurti’s dialogic approach is one that could be described by specific strategies and techniques; and second, whether this approach and its strategies and techniques could be adapted, adopted, or emulated for use in higher education. In Chapter One of the paper, Krishnamurti’s general philosophy and his specific philosophy of education are reviewed, with the aim of placing his dialogic approach within the context of his educational philosophy. The second chapter addresses the study’s research questions by presenting a two-part analysis of a transcript of the one-hour dialogue that took place in California in 1981 between Krishnamurti and six American college students. First, even though he used no notes and no lesson plan, the thematic content analysis of this particular dialogue shows that relevant content had in fact been covered and learned, and that this content had emerged as a consequence of Krishnamurti’s direction as a facilitator of learning. Second, specific strategies and techniques employed by Krishnamurti in this dialogue were identified and described, with specific examples as presented from the transcript. The third chapter explores the context of Krishnamurti’s approach within a recent developing trend in educational philosophy; a trend described as holistic and transformative, focused as it is on encouraging change in learners’ thinking about concepts, rather than on transmitting knowledge from educators to learners. This exploration is done by describing several existing examples of holistic and transformative educational approaches. Some of these described existing approaches are expressly informed by Krishnamurti’s educational philosophy, while others, though not expressly informed by Krishnamurti, are nonetheless consistent with his approach. In the final chapter, it is proposed that the analysis of the dialogue in Chapter Two and the comparative context analysis in Chapter Three show that Krishnamurti’s dialogic approach both fits well within the general direction and nature of this existing and developing holistic and transformative trend in the philosophy of education, on the one hand, and is also uniquely distinguishable from existing approaches in meaningful ways, on the other. Chapter Four concludes, then, as a result, that Krishnamurti’s approach can be adapted, emulated, or adopted for beneficial results in higher education.
  • Loading...
    Thumbnail Image
    Item
    Mediating between the Religious World and the Masses: Picture Deciphering by the Itinerant Nuns of Kumano
    (2013-07-03) Saka, Chihiro; Poulton, M. Cody; Adam, Martin T.
    Kumano bikuni (the Buddhist nuns of Kumano) are itinerant female religious performers who were particularly active between the 16th and 18th centuries in Japan. Travelling across the country, they promoted the syncretic belief of the Kumano mountains, popular pilgrimage sites that have attracted a variety of people regardless of class, gender, and religious affiliation. To raise funds for temples and shrines there, they performed etoki (literally, picture deciphering) that addressed the everyday concerns of the masses, and especially women. Conceptualizing Kumano bikuni as mediators who bridged the religious world and the masses, this thesis examines how Kumano bikuni reflected perspectives of the audience at etoki performance and responded to diverse interests of different groups.
Contact Us
Copyright

  • Copyright info
  • Legal notice
  • Accessibility
 
University of Victoria Libraries

  • PO Box 1800 STN CSC
    Victoria BC V8W 3H5
    Canada
    Phone: 1-250-721-6673

We acknowledge and respect the Lək̓ʷəŋən (Songhees and Esquimalt) Peoples on whose territory the university stands, and the Lək̓ʷəŋən and W̱SÁNEĆ Peoples whose historical relationships with the land continue to this day.