Uncanny Reminders: The 'Nazi' in Popular Culture
| dc.contributor.author | Tobler, Tamara Lynn | |
| dc.contributor.supervisor | Thorson, Helga | |
| dc.date.accessioned | 2014-08-15T22:43:20Z | |
| dc.date.available | 2015-08-16T11:22:05Z | |
| dc.date.copyright | 2014 | en_US |
| dc.date.issued | 2014-08-15 | |
| dc.degree.department | Department of Germanic and Russian Studies | |
| dc.degree.department | Department of Germanic and Slavic Studies | |
| dc.degree.department | School of Languages, Linguistics and Cultures | |
| dc.degree.level | Master of Arts M.A. | en_US |
| dc.description.abstract | The ubiquity of the ‘Nazi’ – the fictional Doppelgänger of the historical Nazi – in the various media of popular culture is both disturbing and fascinating. There is an important relationship between the ‘Nazi’ and its audience; related to but separate from the historical Nazi, the creation and reception of the ‘Nazi’ both enables and exemplifies the continual processing of the past. Using a purpose-built framework (concept and terminology) for the study of the ‘Nazi’ as a phenomenon in and of itself, in combination with Freud’s concept of the uncanny, this thesis examines the dynamics of the relationship between the ‘Nazi’ and its audience in four examples: television episodes “Deaths-Head Revisited,” “He’s Alive” (The Twilight Zone), and “Patterns of Force” (Star Trek); and Serdar Somuncu’s performances/readings of Mein Kampf. The temporal and geographical context of the episodes (1960s America) seem far removed from Somuncu’s performances (1990s/2000s Germany), but analysing the production and effects of the uncanny moments generated in each case reveals a provocative raison d’être that spans across the geographical and temporal divide. | en_US |
| dc.description.proquestcode | 0311 | en_US |
| dc.description.proquestcode | 0900 | en_US |
| dc.description.scholarlevel | Graduate | en_US |
| dc.identifier.uri | http://hdl.handle.net/1828/5563 | |
| dc.language | English | eng |
| dc.language.iso | en | en_US |
| dc.rights.temp | Available to the World Wide Web | en_US |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.5/ca/ | * |
| dc.subject | Serdar Somuncu | en_US |
| dc.subject | Mein Kampf | en_US |
| dc.subject | uncanny | en_US |
| dc.subject | Star Trek | en_US |
| dc.subject | The Twilight Zone | en_US |
| dc.subject | Sigmund Freud | en_US |
| dc.subject | Nazi | en_US |
| dc.subject | Patterns of Force | en_US |
| dc.subject | Deaths-Head Revisited | en_US |
| dc.subject | He's Alive | en_US |
| dc.title | Uncanny Reminders: The 'Nazi' in Popular Culture | en_US |
| dc.type | Thesis | en_US |