The “Cure of the Ground”: place in the poetry of Wallace Stevens and Robert Bringhurst
| dc.contributor.author | Alm, Kirsten Hilde | |
| dc.contributor.supervisor | Bradley, Nicholas | |
| dc.date.accessioned | 2017-02-15T20:52:02Z | |
| dc.date.copyright | 2016 | en_US |
| dc.date.issued | 2017-02-15 | |
| dc.degree.department | Department of English | |
| dc.degree.level | Doctor of Philosophy Ph.D. | en_US |
| dc.description.abstract | This study analyzes the Canadian poet, typographer, and translator Robert Bringhurst’s (b. 1946) extensive engagement with the poetry, poetics and metaphysical concerns of the American modernist poet Wallace Stevens (1879-1955). It asserts that Bringhurst’s poetry responds to Stevens’ poetry and poetics to a degree that has not previously been recognized. Although Bringhurst’s mature poetry—his works from the mid-1970s and after—departs from the obvious imitation of the elder poet’s writing that is present in his early poems, it continues to engage some of Stevens’ central concerns, namely the fertility of the liminal moment and/or space and a meditative contemplation of the physical world that frequently challenges anthropocentric narcissism. The dissertation proposes that Bringhurst shares Stevens’ desire to inscribe an authentic encounter between person and place. The first chapters establish the literary basis for the comparison of the poets’ works. The following chapters show how both poets draw on the symbology and metaphors of the Christian concept of the Sacrament in order to describe poetically the nature of the personally renewing experience of place. They examine poems from throughout Stevens’ career, including those that express a more determinedly materialistic vision, and the pervasive use of sacramental terminology in Bringhurst’s polyphonic poetry; such language is integral to Bringhurst’s efforts to describe a transformative experience of encounter with the physical world. The final chapters contend that Stevens’ and Bringhurst’s divergent visions of the ethical responsibility of poetry are shaped by their differing perspectives on the relation between the poem and the sacramental experience inscribed within it. The dissertation makes original contributions to the study of the poetry of both Bringhurst and Stevens. It demonstrates the significance of the inheritances of the Protestant religious tradition to both poets’ bodies of work, and it casts Bringhurst as a profoundly Stevensian author. A study of poetic influence, it attests to the vitality of Stevens and Bringhurst as ecologically oriented writers concerned with the meaning of place in North America. | en_US |
| dc.description.embargo | 2018-01-17 | |
| dc.description.scholarlevel | Graduate | en_US |
| dc.identifier.uri | http://hdl.handle.net/1828/7801 | |
| dc.language | English | eng |
| dc.language.iso | en | en_US |
| dc.rights | Available to the World Wide Web | en_US |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.5/ca/ | * |
| dc.subject | Robert Bringhurst | en_US |
| dc.subject | Wallace Stevens | en_US |
| dc.subject | Ecopoetics | en_US |
| dc.subject | Ecospirituality | en_US |
| dc.subject | Environment | en_US |
| dc.title | The “Cure of the Ground”: place in the poetry of Wallace Stevens and Robert Bringhurst | en_US |
| dc.type | Thesis | en_US |