The taming of a shrew (1594)an electronic critical edition
| dc.contributor.author | Galey, Alan Edward | en_US |
| dc.date.accessioned | 2024-08-13T22:52:28Z | |
| dc.date.available | 2024-08-13T22:52:28Z | |
| dc.date.copyright | 2002 | en_US |
| dc.date.issued | 2002 | |
| dc.degree.department | Department of English | |
| dc.degree.level | Master of Arts M.A. | en |
| dc.description.abstract | Recent work on The Taming of the Shrew's so-called bad quarto suggests that The Taming of~ Shrew ( 1594) is more than a mere piracy of Shakespeare 's play, and that its intertextual badness is its best virtue. This electronic edition presents A Shrew as a critical response to Shakespeare, and as an incisive parody of Marlowe's plays. The text of A Shrew is offered in three forms: a modernized and fully annotated text; a machineĀ readable transcription containing markup for print entities; and a facsimile. All three texts are linked to each other, and to an automated collation of variants between the 1594, 1596, and 1607 quartos of A Shrew. The electronic interface allows users to highlight borrowings from other plays, each of which is accompanied by an ex tended commentary. A critical introduction discusses the play's print and performance histories, its metadramatic complexities, and its relationship with Shakespeare and Marlowe. | |
| dc.format.extent | 391 pages | |
| dc.identifier.uri | https://hdl.handle.net/1828/17885 | |
| dc.rights | Available to the World Wide Web | en_US |
| dc.title | The taming of a shrew (1594)an electronic critical edition | en_US |
| dc.type | Thesis | en_US |
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