An analytical study of the known sacred works of Hubertus de Salinis

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dc.contributor.authorBaldwin, Jane Ann Pearceen_US
dc.date.accessioned2024-08-13T00:06:31Z
dc.date.available2024-08-13T00:06:31Z
dc.date.copyright1975en_US
dc.date.issued1975
dc.degree.departmentDepartment of Music
dc.degree.departmentSchool of Music
dc.degree.levelMaster of Arts M.A.en
dc.description.abstractThis thesis investigates the life and sacred works of Hubertus de Salinis, a relatively unknown composer who lived during the late fourteenth and early fifteenth centuries. It establishes the principality of Liege as the birthplace of Hubertus. Hubertus probably received his education in. Liege and spent the early years of his career in south-west France; the remainder of his life was probably lived in northern Italy. Hubertus' eight sacred works,' all found in the manuscript Bologna, G. B. Martini Conservatoire, Q. 15, are analyzed according to rules of composition given by fourteenth and early fifteenth-century theorists. In particular, cadential structure and dissonance treat­ment have been considered in depth. Cantus firmus was found in two works while evidence of pairing was seen in two mass movements. It was seen from this analysis that Hubertus had a similar style to Liege contemporaries Lymburgia, Arnold de Lantins and Hugo de Lantins and in particular, Johannes Ciconia who lived somewhat earlier than Hubertus. The author concludes that Hubertus may have been one of the earliest composers of paired mass movements. A modern edition of the known sacred works of Hubertus de Salinis has been included in the Appendix.en_US
dc.format.extent152 pages
dc.identifier.urihttps://hdl.handle.net/1828/17114
dc.rightsAvailable to the World Wide Weben_US
dc.titleAn analytical study of the known sacred works of Hubertus de Salinisen_US
dc.typeThesisen_US

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