Deconstructing the production techniques of music producers in Bamako, Mali
Date
2022-09-08
Authors
Davis, Theodore
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Abstract
In the last decade, many Malian producers have transitioned to using digital audio workspaces (DAWs) to create and record music. By using pirated and outdated software, it’s possible to set up and record music that is close to industry standard with little financial expense. This project is centered around seven talented music producers in Bamako, the capital city and main musical hub of Mali. Each of their recording sessions were filmed and analyzed to explore the ways these producers work with outdated recording software and how they effectively communicate with their clients. “Our findings show that strong music editing and artistic direction skills can bring studio owners to succeed, despite their limited resources and their near absence of technical education”.
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Keywords
Music, technology, culture, West Africa