Edge effects: poetry, place, and spiritual practices
| dc.contributor.author | Bubel, Katharine | |
| dc.contributor.supervisor | Bradley, Nicholas | |
| dc.date.accessioned | 2018-05-01T15:46:11Z | |
| dc.date.copyright | 2018 | en_US |
| dc.date.issued | 2018-05-01 | |
| dc.degree.department | Department of English | en_US |
| dc.degree.level | Doctor of Philosophy Ph.D. | en_US |
| dc.description.abstract | "Edge Effects: Poetry, Place, and Spiritual Practices” focusses on the intersection of the environmental and religious imaginations in the work of five West Coast poets: Robinson Jeffers, Theodore Roethke, Robert Hass, Denise Levertov, and Jan Zwicky. My research examines the selected poems for their reimagination of the sacred perceived through attachments to particular places. For these writers, poetry is a constitutive practice, part of a way of life that includes desire for wise participation in the more-than-human community. Taking into account the poets’ critical reflections and historical-cultural contexts, along with a range of critical and philosophical sources, the poetry is examined as a discursive spiritual exercise. It is seen as conjoined with other focal practices of place, notably meditative walking and attentive looking and listening under the influence of ecospiritual eros. My analysis attends to aesthetics of relinquishment, formal strategies employed to recognize and accept finitude and the non-anthropocentric nature of reality, along with the complementary aesthetics of affirmation, configuration of the goodness of the whole. I identify an orienting feature of West Coast place, particular to each poet, that recurs as a leitmotif for engagement of such aesthetics and related practices. In chapter one, I consider a group of Jeffers’s final poems as part of a project he designated “our De Natura,” attending especially to his affinity for stones and stars. In chapter two, I investigate both Roethke’s and Hass’s configurations of ecospiritual eros in accord with their fascination for flora, while in chapter three, I employ the concepts of “aura” and “resonance” to explicate Levertov’s meditations on the “coming and going” Mount Rainier-Tacoma and Zwicky’s reflective iterations of the sea. | en_US |
| dc.description.embargo | 2019-04-04 | |
| dc.description.scholarlevel | Graduate | en_US |
| dc.identifier.uri | http://hdl.handle.net/1828/9318 | |
| dc.language | English | eng |
| dc.language.iso | en | en_US |
| dc.rights | Available to the World Wide Web | en_US |
| dc.subject | West Coast Poetry | en_US |
| dc.subject | ecospiritual eros | en_US |
| dc.subject | Robinson Jeffers | en_US |
| dc.subject | Denise Levertov | en_US |
| dc.subject | Robert Hass | en_US |
| dc.subject | Theodore Roethke | en_US |
| dc.subject | Jan Zwicky | en_US |
| dc.subject | resacralizing nature | en_US |
| dc.subject | aesthetics of relinquishment and affirmation | en_US |
| dc.subject | focal practices of place | en_US |
| dc.title | Edge effects: poetry, place, and spiritual practices | en_US |
| dc.type | Thesis | en_US |