The influence of concepts of information theory on the birth of electronic music composition: Lejaren A. Hiller and Karlheinz Stockhausen, 1953-1960
dc.contributor.author | Both, Christoph | |
dc.contributor.supervisor | Celona, John | |
dc.contributor.supervisor | Truax, Barry | |
dc.date.accessioned | 2015-07-31T20:22:49Z | |
dc.date.available | 2015-07-31T20:22:49Z | |
dc.date.copyright | 1995 | en_US |
dc.date.issued | 2015-07-31 | |
dc.degree.department | School of Music | en_US |
dc.degree.level | Doctor of Philosophy Ph.D. | en_US |
dc.description.scholarlevel | Graduate | en_US |
dc.identifier.uri | http://hdl.handle.net/1828/6399 | |
dc.language | English | eng |
dc.language.iso | en | en_US |
dc.rights | Available to the World Wide Web | en_US |
dc.subject | Hiller, Lejaren, 1924-1994 | en_US |
dc.subject | Stockhausen, Karlheinz, 1928-2007 | en_US |
dc.subject | Electronic music | en_US |
dc.subject | Information theory in music | en_US |
dc.subject | Illiac suite | en_US |
dc.subject | Computer cantata | en_US |
dc.subject | Gesang der Junglinge | en_US |
dc.title | The influence of concepts of information theory on the birth of electronic music composition: Lejaren A. Hiller and Karlheinz Stockhausen, 1953-1960 | en_US |
dc.type | Thesis | en_US |