Critical, Ethical and Informed Poetic Observation: A Study on the Craft of Documentary Poetry

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dc.contributor.authorBouillon, Carlee Anne
dc.date.accessioned2021-08-10T22:34:53Z
dc.date.available2021-08-10T22:34:53Z
dc.date.copyright2021en_US
dc.date.issued2021-08-10
dc.description.abstractI entered my research venture with the idea that I was going to synthesize a definition of documentary poetry. But because it is a young genre, documentary poetry is highly fluid and impressionable: each time an artist adds to its canon, the genre grows and changes. It shares fundamentals with several other foundational art forms, but it also extends past each of them. To consider a “definition”—which must be fundamentally non-comprehensive, as it evolves alongside the canon—I first had to think about what documentary poetry is not, and what it is more than.en_US
dc.description.reviewstatusRevieweden_US
dc.description.scholarlevelUndergraduateen_US
dc.description.sponsorshipJamie Cassels Undergraduate Research Awards (JCURA)en_US
dc.identifier.urihttp://hdl.handle.net/1828/13229
dc.language.isoenen_US
dc.subjectDocumentary
dc.subjectpoetry
dc.subjectwitness
dc.subjectcreative nonfiction
dc.subjectwriting
dc.subjectJamie Cassels Undergraduate Research Awards (JCURA)
dc.subject.departmentDepartment of Creative Writing
dc.subject.departmentDepartment of Writing
dc.titleCritical, Ethical and Informed Poetic Observation: A Study on the Craft of Documentary Poetryen_US
dc.typePosteren_US

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