New men for a new world: reconstituted masculinities in Jewish-Russian literature (1903 – 1925)
| dc.contributor.author | Calof, Ethan | |
| dc.contributor.supervisor | Yekelchyk, Serhy | |
| dc.date.accessioned | 2019-05-01T23:43:08Z | |
| dc.date.copyright | 2019 | en_US |
| dc.date.issued | 2019-05-01 | |
| dc.degree.department | Department of Germanic and Slavic Studies | en_US |
| dc.degree.level | Master of Arts M.A. | en_US |
| dc.description.abstract | This Master’s thesis explores Jewish masculinity and identity within early twentieth-century literature (1903-1925), using texts written by Jewish authors in late imperial Russia and the early Soviet Union. This was a period of change for Russia’s Jewish community, involving increased secularization and reform, massive pogroms such as in Kishinev in 1903, newfound leadership within the 1905 and 1917 Revolutions, and a rise in both Zionist and Revolutionary ideology. Subsequently, Jewish literary masculinity experienced a significant shift in characterization. Historically, a praised Jewish man had been portrayed as gentle, scholarly, and faithful, yet early twentieth century Jewish male literary figures were asked to be physically strong, hypermasculine, and secular. This thesis first uses H.N. Bialik’s “In the City of Slaughter” (1903) and Sholem Aleichem’s “Tevye Goes to Palestine” (1914) to introduce a concept of “Jewish shame,” or a sentiment that historical Jewish masculinity was insufficient for a contemporary Russian world. It then creates two models for these new men to follow. The Assimilatory Jew, seen in Isaac Babel’s Red Cavalry cycle (published throughout the 1920s), held that perpetual outsider Jewish men should imitate the behaviour of a secular whole in order to be accepted. The Jewish Superman is depicted in Vladimir Jabotinsky’s “In Memory of Herzl” (1904) and Ilya Selvinsky’s “Bar Kokhba” (1920), and argues that masculine glory is entirely compatible with a proud Jewish identity, without an external standard needed. Judith Butler’s theories on gender performativity are used to analyze these diverse works, published in Hebrew, Yiddish, and Russian by authors of varying political alignments, to establish commonalities among these literary canons and plot a new spectrum of desired identities for Jewish men. | en_US |
| dc.description.embargo | 2020-04-10 | |
| dc.description.scholarlevel | Graduate | en_US |
| dc.identifier.uri | http://hdl.handle.net/1828/10835 | |
| dc.language | English | eng |
| dc.language.iso | en | en_US |
| dc.rights | Available to the World Wide Web | en_US |
| dc.subject | Russian literature | en_US |
| dc.subject | Jewish literature | en_US |
| dc.subject | Jewish masculinity | en_US |
| dc.subject | masculinity | en_US |
| dc.subject | Russian Jewish | en_US |
| dc.subject | Ze'ev Jabotinsky | en_US |
| dc.subject | Jewish identity | en_US |
| dc.subject | Russian Jewry | en_US |
| dc.subject | Red Cavalry | en_US |
| dc.subject | Russian Civil War | en_US |
| dc.subject | Zionist masculinity | en_US |
| dc.subject | Early Zionism | en_US |
| dc.subject | Bolshevism | en_US |
| dc.subject | Late Imperial Russia | en_US |
| dc.subject | New Soviet Man | en_US |
| dc.subject | Hayyim Nahman Bialik | en_US |
| dc.subject | Hebrew literature | en_US |
| dc.subject | Yiddish literature | en_US |
| dc.subject | Ilya Selvinsky | en_US |
| dc.subject | Isaac Babel | en_US |
| dc.subject | Kishinev pogrom | en_US |
| dc.subject | 1903 Kishinev pogrom | en_US |
| dc.subject | 1905 October Revolution | en_US |
| dc.subject | 1917 Russian Revolution | en_US |
| dc.subject | pale of settlement | en_US |
| dc.subject | Sholem Aleichem | en_US |
| dc.subject | Tevye the Dairyman | en_US |
| dc.subject | Bar Kokhba | en_US |
| dc.title | New men for a new world: reconstituted masculinities in Jewish-Russian literature (1903 – 1925) | en_US |
| dc.type | Thesis | en_US |