Serious play: Alden Nowlan, Leo Ferrari, Gwendolyn MacEwen, and their Flat Earth Society

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dc.contributor.authorEso, David
dc.contributor.supervisorHiggins, Iain Macleod
dc.date.accessioned2021-05-31T18:24:57Z
dc.date.available2021-05-31T18:24:57Z
dc.date.copyright2021en_US
dc.date.issued2021-05-31
dc.degree.departmentDepartment of Englishen_US
dc.degree.levelDoctor of Philosophy Ph.D.en_US
dc.description.abstractThis dissertation concerns the satirical Flat Earth Society (FES) founded at Fredericton, New Brunswick in November 1970. The essay’s successive chapters examine the lives and literary works of three understudied authors who held leadership positions in this critically unserious, fringe society: FES Symposiarch Alden Nowlan; the Society’s President Leo Ferrari; and its First Vice-President Gwendolyn MacEwen. Therefore, my project constitutes an act of recovery and reconstruction, bringing to light cultural work and literary connections that have largely faded from view. Chapters show how certain literary writings by Nowlan, Ferrari, or MacEwen directly or indirectly relate to their involvement with FES, making the Society an important part of their cultural work rather than a mere entertainment, distraction, or hoax. These authors represent the local/regional inception of FES (Nowlan), its international influences and reach (Ferrari), and its Canadian context (MacEwen). Organized according to three jointly literary and geo-political layers, and drawing on little-known archival documents, each chapter records statements from the Society’s wider membership as they relate to Atlantic Canada, the international perspective, and Canada. Despite its aberrant and oppositional spirit, FES appeared within an identifiable cultural context and participated in a countercultural tradition that continues to this day. The Society’s surface lampoon embeds potent social critique and creative meaning. In other words, FES was not merely playful, nor merely serious, but interweaved these modes in a compelling way; the Society looks by turns intelligent and unintelligible, stupid and sophisticated. Further, it invited contributions from members and applicants: seldom-seen interpretations of “Planoterrestrialism” by individuals from many walks of life and now housed in archives at the University of New Brunswick and University of Calgary. The participatory, humorous, and poetic nature of FES means that its unusual brand of Flat Earthism cannot be tied to any singular ideology, place, or literary tradition. It operates as an enigmatic, errant, itinerant, and underground non-ideology. Planoterrestrial thought is reflected in the playful poetic styles of Nowlan, Ferrari, and MacEwen: three Society members who were nonetheless serious authors and sincere in their role as cultural workers, their Flat Earth antics not excepted.en_US
dc.description.scholarlevelGraduateen_US
dc.identifier.bibliographicCitationEso, David. "Across the Peneplain and Over the Precipice: A Prefatory Introduction." In The Earth Is Flat! An Exposé of the Globularist Hoax, ISER, 2019, pp. 21-57.en_US
dc.identifier.bibliographicCitationEso, David. "Perfect Mismatch: Gwendolyn MacEwen and the Flat Earth Society." Studies in Canadian Literature, vol. 44, no. 2, 2019, pp. 211-31.en_US
dc.identifier.urihttp://hdl.handle.net/1828/13006
dc.languageEnglisheng
dc.language.isoenen_US
dc.rightsAvailable to the World Wide Weben_US
dc.subjectAlden Nowlanen_US
dc.subjectLeo C. Ferrarien_US
dc.subjectGwendolyn MacEwenen_US
dc.subjectFlat Earth Societyen_US
dc.subjectFlat Earth Society of Canadaen_US
dc.subjectPlanoterrestrialismen_US
dc.subjectCanadian Poetryen_US
dc.titleSerious play: Alden Nowlan, Leo Ferrari, Gwendolyn MacEwen, and their Flat Earth Societyen_US
dc.typeThesisen_US

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