True to God and King: Alabaster Heads of St. John in Late Medieval England

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dc.contributor.authorCurrier, Janice Arlee
dc.contributor.supervisorOsborne, John
dc.date.accessioned2014-07-31T21:16:38Z
dc.date.available2014-07-31T21:16:38Z
dc.date.copyright1994en_US
dc.date.issued2014-07-31
dc.degree.departmentDepartment of History in Art
dc.degree.departmentDepartment of Art History and Visual Studies
dc.degree.levelMaster of Arts M.A.en_US
dc.description.abstractSculpted alabaster tablets depicting the head of St. John the Baptist on a charger, such as the Spilsbury alabaster now in the collection of the University of Victoria's Maltwood Museum and Gallery, were produced in large numbers in fifteenth-century England. Important as examples of private devotional art, they were probably first made as minor works subsidiary to alabaster monument and altarpiece production.en_US
dc.description.proquestcode0377en_US
dc.description.scholarlevelGraduateen_US
dc.identifier.urihttp://hdl.handle.net/1828/5501
dc.languageEnglisheng
dc.language.isoenen_US
dc.rights.tempAvailable to the World Wide Weben_US
dc.subjectAlabaster sculptureen_US
dc.subjectEnglanden_US
dc.subjectMedieval, 500-1500en_US
dc.titleTrue to God and King: Alabaster Heads of St. John in Late Medieval Englanden_US
dc.title.alternativeAlabaster Heads of St. John in Late Medieval Englanden_US
dc.typeThesisen_US

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