A History of Chinese theatre in Victoria

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dc.contributor.authorSebryk, Karrie Marionen_US
dc.date.accessioned2024-08-15T18:21:43Z
dc.date.available2024-08-15T18:21:43Z
dc.date.copyright1995en_US
dc.date.issued1995
dc.degree.departmentDepartment of Theatreen_US
dc.degree.levelMaster of Arts M.A.en
dc.description.abstractPossibly as early as 1860, Cantonese opera was performed with all its splendor and symbolic choreography in one of Victoria's five Chinese theatres. In isolation and obscurity from Occidentals, performances of vibrant colour with cacophonous music that passionately and rhythmically accompanied the fluid grace of the actors or the lightening acrobatic precision of warriors captivated a dedicated audience. More than just entertainment, Cantonese opera reinforced and rejuvenated the ancient Chinese culture, reaffirming their identity and retarding the assimilation process that came so easily in North America. Political turmoil and war prevented Chinese troupes from touring North America. As a result, a new generation of entertainment developed to meet the cultural needs of the Chinese population. Resident music societies and dramatic organizations performed Cantonese opera locally and established new entertainment traditions that reflect Chinese theatrical conventions.
dc.format.extent196 pages
dc.identifier.urihttps://hdl.handle.net/1828/19651
dc.rightsAvailable to the World Wide Weben_US
dc.titleA History of Chinese theatre in Victoriaen_US
dc.typeThesisen_US

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