Slowing senses of aesthetics, science and the study of politics through Plato, Kant and Nietzsche

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dc.contributor.authorAnctil, Laura
dc.contributor.supervisorMagnusson, Warren
dc.date.accessioned2014-09-03T15:23:27Z
dc.date.available2014-09-03T15:23:27Z
dc.date.copyright2014en_US
dc.date.issued2014-09-03
dc.degree.departmentDepartment of Political Scienceen_US
dc.degree.levelMaster of Arts M.A.en_US
dc.description.abstractSince the post-positivist turn in critical political theory, many scholars of political science have tried to reimagine the discipline through feminist, Marxist, and postcolonial critiques. However, even critical scholars often overlook that all forms of critique are aesthetic- as is the mainstream of political science that they criticize. Despite these proliferating critiques, much of political science is still shaped by a robust epistemological orientation towards scientific aspirations, which I describe as a scientific epistemic mode. The argument of this thesis is that the dominance of a scientific epistemic mode in political science orients this discipline erroneously against aesthetic receptivity and production. The relationship between political science and aesthetics is often characterized by affects of discomfort and shame, so that aesthetic qualities in research are associated with unscientific, and therefore illegitimate outcomes. The claim that aesthetics is not suited to the study of politics is longstanding, but not necessarily legitimate. Rather than conceive of aesthetics and science as essentially opposed, this thesis considers how this dualism can be understood as a discursive formation. The notion of aesthetics as a threat to science exists as far back as Plato’s Republic, where poetry is banished for the sake of philosophy. Contra Plato, Kant acknowledges aesthetics as a relevant epistemic mode in The Critique of Judgment, but determines aesthetics to be irreconcilable with a reason-based, scientific epistemology. Finally, in The Birth of Tragedy Nietzsche’s reading of Attic Tragedy suggests that, like the figures of Dionysus and Apollo, aesthetics and science can be thought of as two forces in a relation of productive antagonism rather than mutual exclusion or domination. In response to the naturalized, scientific epistemic mode in political science, an aesthetic epistemic mode acknowledges the fusion of aesthetics and science in the production of political analysis. Following Isabelle Stengers, this thesis tries to slow down the sense that aesthetics is inferior, excluded and dominated by science, suggesting that political science begin to cultivate a receptive awareness of its own aesthetic value. In making aesthetics a legitimate focus in political science, an aesthetic epistemic mode is practised by seeking out relevant questions rather than demanding immediate, “scientific” answers.en_US
dc.description.proquestcode0615en_US
dc.description.proquestcode0422en_US
dc.description.proquestemailanctil.laura@gmail.comen_US
dc.description.scholarlevelGraduateen_US
dc.identifier.urihttp://hdl.handle.net/1828/5653
dc.languageEnglisheng
dc.language.isoenen_US
dc.rights.tempAvailable to the World Wide Weben_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.5/ca/*
dc.subjectPolitical Scienceen_US
dc.subjectscientific epistemic modeen_US
dc.subjectslowen_US
dc.subjectvoice/sen_US
dc.subjectaesthetic epistemic modeen_US
dc.subjectscienceen_US
dc.subjectaestheticsen_US
dc.subjectpolitical theoryen_US
dc.subjectcritical theoryen_US
dc.subjectpoliticsen_US
dc.subjectPlatoen_US
dc.subjectKanten_US
dc.subjectNietzscheen_US
dc.subjectThe Republicen_US
dc.subjectThe Birth of Tragedyen_US
dc.subjectCritique of the Power of Judgmenten_US
dc.subjectdiscursive formationen_US
dc.subjectFoucaulten_US
dc.titleSlowing senses of aesthetics, science and the study of politics through Plato, Kant and Nietzscheen_US
dc.typeThesisen_US

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