The integration of harmonic idiom and tonal design in Schoenberg’s String Quartet, Op. 7

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dc.contributor.authorCavanagh, Lynn
dc.date.accessioned2025-05-15T17:27:06Z
dc.date.available2025-05-15T17:27:06Z
dc.date.issued1996
dc.description.reviewstatusReviewed
dc.description.scholarlevelGraduate
dc.identifier.citationCavanagh, L. (1996). The integration of harmonic idiom and tonal design in Schoenberg’s String Quartet, Op. 7. Fermata, 2, 1–24.
dc.identifier.urihttps://hdl.handle.net/1828/22279
dc.language.isoen
dc.publisherFermata
dc.titleThe integration of harmonic idiom and tonal design in Schoenberg’s String Quartet, Op. 7
dc.typeArticle

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Musicological Explorations [Fermata], Vol. 02 (1996)
 
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