Theatre As Curriculum to Practice Vulnerability
dc.contributor.author | Clement, Colleen | |
dc.contributor.supervisor | Hurren, Wanda | |
dc.date.accessioned | 2014-05-20T23:17:32Z | |
dc.date.available | 2014-05-20T23:17:32Z | |
dc.date.copyright | 2014 | en_US |
dc.date.issued | 2014-05-20 | |
dc.degree.department | Department of Curriculum and Instruction | en_US |
dc.degree.level | Doctor of Philosophy Ph.D. | en_US |
dc.description.abstract | This dissertation documents a doctoral endeavor to explore both the potential of theatre as a means to enable students to practice vulnerability and the potential curricular impact of such a practice, using an in-depth narrative study of six theatre and drama for the young specialists. The researcher attempts to gain understanding and create a discourse on the vulnerability of the every-student as a curricular concern as well as make a connection to the potential of theatre as a means to practice navigating vulnerability. This not only involves a reconsideration of the term vulnerability to be seen as a path to strength, but also a reconsideration of educator responsibilities. The researcher sought stories of the everyday vulnerabilities that a student might encounter during school and specifically did not seek stories of vulnerabilities from extreme or exceptional traumatic events. While this study does not produce specific curriculum planning, it yields a better understanding of the concept of vulnerability, including the acknowledgment that practicing navigating vulnerability and practicing vulnerability can be accepted as useful terminology in educational pursuits. A key component of the research is the development of a Métissage Circle Theatre Script entitled “To Practice Vulnerability?” as a method of data analysis and research dissemination. It is the researcher’s intent that this script be available for readings by non-actors at school board meetings, parent-teacher meetings, teacher organizations, departments of education, theatre and drama organizations, theatre artist groups, and educational policy decision-makers. The script gently invites readers to begin to explore, ask questions, and discuss the educational possibilities, and provides a low-risk opportunity to navigate the vulnerability experienced when simply encountering the very subject of our own vulnerability. | en_US |
dc.description.proquestcode | 0727 | en_US |
dc.description.proquestcode | 0465 | en_US |
dc.description.proquestemail | cclement@uvic.ca | en_US |
dc.description.scholarlevel | Graduate | en_US |
dc.identifier.bibliographicCitation | Clement, C. & Prendergast, M. (2012). Poetic inquiry: An annotated bibliography: Update 2007-2012. Victoria, BC: Department of Curriculum & Instruction, Faculty of Education, University of Victoria. [589 page annotated bibliography]. | en_US |
dc.identifier.uri | http://hdl.handle.net/1828/5413 | |
dc.language | English | eng |
dc.language.iso | en | en_US |
dc.rights.temp | Available to the World Wide Web | en_US |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.5/ca/ | * |
dc.subject | Theatre | en_US |
dc.subject | Curriculum | en_US |
dc.subject | Metissage Circle Theatre Script | en_US |
dc.subject | Practice navigating vulnerability | en_US |
dc.subject | Narrative inquiry | en_US |
dc.subject | Theater | en_US |
dc.title | Theatre As Curriculum to Practice Vulnerability | en_US |
dc.type | Thesis | en_US |
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