• Slow Media 

  2bears, Jackson; Kroker, Arthur; Kroker, Marilouise (CTheory, 2004)
• Slow Suicide 

  2bears, Jackson; Kroker, Arthur; Kroker, Marilouise (Ctheory, 2004)
• Wear the Skin of the New City 

  2bears, Jackson; Kroker, Arthur; Kroker, Marilouise (CTheory, 2005)
• Remix Wars 

  2bears, Jackson; Kroker, Arthur; Kroker, Marilouise; Doody, Tanya (CTheory, 2005)
• 99 Year Phone Call 

  Kroker, Arthur; Kroker, Marilouise; Cohen, Lewis (CTheory, 1997)
• Fast Wall 

  Kroker, Arthur; Kroker, Marilouise; Cohen, Lewis (CTheory, 1997)
• Panic USA 

  Rowe, Carel (n. p., 1987)
• Toni Denise 

  Kroker, Arthur; Marilouise, Kroker; Critical Art Ensemble (CTheory, 1992)
• Pamela Walen Live 

  Kroker, Arthur; Kroker, Marilouise (CBC, 1996-11-15)
• Wired Flesh 

  Kroker, Arthur; Kroker, Marilouise; Mesley, Wendy (CBC, 1996-11-29)
• Exit Culture 

  Kroker, Arthur; Kroker, Marilouise; Critical Art Ensemble (CTheory, 1992)
• Disaffective Voices and Posthuman Subjects 

  Dyson, Frances (Pacific Centre for Technology and Culture, 2014-12-02)

  Frances Dyson, Emeritus Professor of Cinema and Technocultural Studies (UC Davis) and Visiting Professorial Fellow at the National Institute for Experimental Arts (University of New South Wales) presents her paper “Disaffective ...
• The Transparency of Aesthetics: Between Nonsense and Technology 

  Hiebert, Ted (Pacific Centre for Technology and Culture, 2013-04-03)

  Professor Ted Hiebert discusses the aesthetics of transparency in the context of his new book, In Praise of Nonsense: Aesthetics, Uncertainty and Postmodern Identity. His lecture explores the codes and aesthetics of ...
• Code Drift & Life By Computer 

  2bears, Jackson; Kroker, Marilouise (Pacific Centre for Technology and Culture, 2010-03-12)

  Jackson 2bears is a Kanien’kehaka (Mohawk) multimedia artist and Ph.D. candidate at the University of Victoria. His artworks have been exhibited in solo and group exhibitions across Canada, most recently at: EM-Media ...
• Technologies of the Apocalypse: The Left Behind Novels and the Flight from the Flesh 

  Pfohl, Stephen (Pacific Centre for Technology and Culture, 2006-10-19)

  Stephen Pfohl is a Professor of Sociology at Boston College where he teaches courses on social theory; postmodern culture; crime, deviance and social control; images and power; and sociology and psychoanalysis. Stephen is ...
• Usual Suspects and Strange Bedfellows: Networks of Privacy Advocacy in Surveillance Societies 

  Bennett, Colin J. (Pacific Centre for Technology and Culture, 2008-09-26)

  Dr. Colin Bennett received his Bachelor’s and Master’s degrees from the University of Wales, and his Ph.D from the University of Illinois at Urbana-Champaign. Since 1986 he has taught in the Department of Political Science ...
• CTheory Live Interview: Stelarc 

  Stelarc (Pacific Centre for Technology and Culture, 2006-04-20)

  Stelarc is a world renowned Australian-based performance artist whose work explores and extends the concept of the body and its relationship with technology. He is Visiting Professor, School of Art and Design, at the ...
• Moving Online: Your Packets, Your ISP, Your Identity 

  Parsons, Christopher (Pacific Centre for Technology and Culture, 2009-06-05)

  When a person clicks a hyperlink they manifest their liberty by expressing a preference, and in the process transmit personal data to a particular website. Expressing one’s liberty is essential to the development of personal ...
• CTheory Live Interviews: N. Katherine Hayles 

  Hayles, N. Katherine (Pacific Centre for Technology and Culture, 2008-09-26)

  Dr. N. Katherine Hayles is a noted postmodern literary critic and theorist as well as the author of How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics(University Of Chicago Press, 1999) which ...
• CTheory Live Interview: N. Katherine Hayles 

  Hayles, N. Katherine; Kroker, Arthur (Pacific Centre for Technology and Culture, 2006-04-26)

  N. Katherine Hayles is a noted postmodern literary critic and theorist as well as the author ofHow We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics which won the René Wellek Prize for the best ...

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