Contemporary Accordion Composition: Audience, Performer, Environment, and Composer

dc.contributor.authorHarris, Naomi
dc.date.accessioned2022-09-08T16:32:34Z
dc.date.available2022-09-08T16:32:34Z
dc.date.copyright2022en_US
dc.date.issued2022-09-08
dc.description.abstractThis research is an investigation of 20th century experimental compositions documenting common features and motifs found in prominent works. This research identifies common tropes found in composers of this era and demonstrates these features in different contexts and environments using traditional and avant-garde methods of composition on accordion. Developing on an existing pedagogy of experimental music production, this research contextualizes experimental music in the 21st century using modern audio editing software. Deep Listening techniques are used to challenge the boundaries between audience, performer, environment, and composer.en_US
dc.description.reviewstatusRevieweden_US
dc.description.scholarlevelUndergraduateen_US
dc.description.sponsorshipValerie Kuehne Undergraduate Research Awards (VKURA)en_US
dc.identifier.urihttp://hdl.handle.net/1828/14223
dc.language.isoenen_US
dc.subjectaccordionen_US
dc.subjectfisarmonicaen_US
dc.subjectexperimental musicen_US
dc.subjectmodern musicen_US
dc.subject20th century musicen_US
dc.subjectPauline Oliverosen_US
dc.subjectOliver Messiaenen_US
dc.subjectJohn Cageen_US
dc.subjectPhillip Glassen_US
dc.subjectexperimental compositionen_US
dc.subjectDadaen_US
dc.subjectambient musicen_US
dc.subjectsoundscapeen_US
dc.subjectDeep Listeningen_US
dc.titleContemporary Accordion Composition: Audience, Performer, Environment, and Composeren_US
dc.typePosteren_US

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