Perceptual Evaluation and Analysis of Reverberation in Multitrack Music Production

dc.contributor.authorDe Man, Brecht
dc.contributor.authorMcNally, Kirk
dc.contributor.authorReiss, Joshua D.
dc.date.accessioned2018-07-05T18:24:55Z
dc.date.available2018-07-05T18:24:55Z
dc.date.copyright2017en_US
dc.date.issued2017-01
dc.description.abstractArtificial reverberation is an important music production tool with a strong but poorly understood perceptual impact. A literature review of the relevant works concerned with the perception of musical reverberation is provided, and the use of artificial reverberation in multi source mixes is studied. The perceived amount of total artificial reverberation in a mixture is predicted using relative reverb loudness and early decay time, as extracted from the newly proposed Equivalent Impulse Response. Results indicate that both features have a significant impact on the perception of a mix and that they are closely related to the upper and lower bounds of desired amount of reverberation in a mixture.en_US
dc.description.reviewstatusRevieweden_US
dc.description.scholarlevelFacultyen_US
dc.description.sponsorshipThis work was made possible by the Engineering and Physical Sciences Research Council Grant EP/K009559/1 "Platform Grant: Digital Music," 2013-18. The authors also wish to thank Dominic Ward for a fruitful discussion on loudness models and related features.en_US
dc.identifier.citationDe Man, B.; McNally, K.; & Reiss, J. D. (2017). Perceptual evaluation and analysis of reverberation in multitrack music production. Journal of the Audio Engineering Society, 65(1/2), 108-116.en_US
dc.identifier.urihttps://doi.org/10.17743/jaes.2016.0062
dc.identifier.urihttp://hdl.handle.net/1828/9605
dc.language.isoenen_US
dc.publisherJournal of the Audio Engineering Societyen_US
dc.subject.departmentSchool of Music
dc.titlePerceptual Evaluation and Analysis of Reverberation in Multitrack Music Productionen_US
dc.typeArticleen_US

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